{By Danielle of Knotty Yarn}

School starts in two weeks. I could not be more thrilled.

I love school. More importantly, I love being a student. Having the undeniable permission to pay attention, soak in, look around, experience, and learn. I’m good at it.

Lately I’ve been reflecting on how I generally feel from day to day. It’s easy to sidestep talking about depression when you aren’t actually depressed. If you believe in hocus pocus, you fear that talking about it will bring that black fog back into your life. If you’re easily overwhelmed, you just want to focus on each day. If you’re medicated, you often don’t care to talk about depression, as long as you have relief from the physical effects of it.

If you’re all of these things, it’s hard to sit down and reflect your emotions via the written word.

I’m not depressed. I’m not experiencing anxiety from the monumental task of getting out of bed and looking each day in the eye. I’m not exhausted from insomnia, forced awake by the constant worry and sadness. I don’t curl up and weep in the shower, on the kitchen floor, in the car, in bed. I don’t unplug the phone, ignore email, forget friendships. I don’t look at babies and think “What a shame to bring that kid into this pitiful, bleak world”.

I haven’t thought about quietly, unobtrusively killing myself in nearly two years.

Yet when referencing depression, either internally or externally, the only thing most of us can think to say is that we suffer. We suffer from depression. How can I be suffering from depression when I’m not actually feeling depressed? It’s a linguistic accusation.

I no longer think of myself as someone who suffers from depression. I experience depression. I acknowledge that yeah, I have the chemical version of the devil’s advocate living in me all the time. While I hope that it won’t rear it’s ugly head ever again, there’s no way for me to be certain. Things that come naturally for most people require a lot of thought and internalizing for me. Sometimes I need medication to help me…to help me. Help me get going, help me get on, help me get through. I spend a lot of time kicking my brain’s ASS.

This last time around, I was able to turn my depression into the impetus for making a big, tangible life changing decision. I had to plug in the phone, answer the email, say “yes” when I wanted to say “no”, persist when I wanted to take a nap. It took a team of loving, dedicated people to give me back my life. To get me to a point where I could open up a world of options for myself, be brave enough to try something new, make connections and new friendships, rediscover my creative life.

I’m not suffering.

And I’m not merely alive.

{By Megan of Undomestic Diva}

Today is one of those days – one of many recent and one of many more to come – where life’s new twists and turns have me walking out the door of several years of fond memories and unthought of heartache towards a future of Who Knows.

It isn’t a fancy place, this house. And while smaller than many, it was enough; certainly more than many others hope for and at the end of the day it wasn’t just stucco and wood and cement and shingles – it was our home.

This is the house that broke us, in many ways, though of course it’s not only to blame – not one single thing is. But it was also the house of much happiness – where two of the three boys were born, where many Halloweens and birthdays and summers were spent, where Easter eggs were hidden and found, where dinners were concocted and birthday cakes created, where oranges were picked and eaten in the yard, where swingsets were built and ignored, where gardens were planted and bloomed, where Christmas trees sat (and fell), where life moved at a speed quicker than we could register – all inside these walls that were being fixed and patched and painted as we fell apart.

I slowly circle one more time in the living room. It still feels oddly full, even in its bareness. Though the smell of cardboard boxes and laundered clothes and nostalgia has left in trucks and U-Hauls, a vaguely familiar scent remains – the way the house smelled the day we got the keys – of vacancy and emptiness. It sinks in. The truth is, this house didn’t break us. We did. And this house isn’t haunted. We are.

It’s hard to fathom that I’m taking one last look around our house and leaving it to go to my house. The newness of everything is jarring and yet exciting and the adventure of it all has its moments of hope and its share of fear.

I shut the door. I pause on the porch step, taking in this very moment, soaking in this change like sunlight on my skin, breath in my lungs. There’s nothing left here for me anymore. Today is another reminder of moving onward, this time, literally. I remind myself: A house is a house but a home is what you make it so I have not just packed our clothes and photographs and books and toys but our memories too. They, though the heaviest of all the things to carry, are the easiest to move.

{by Thomas Hawk}

“The Best Years of Our Life” by Thomas Hawk / thomashawk.com / @thomashawk
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Featured by Story Editor Shannon | @mrlady

{By Jesse Wright of Jesse Wright Photo}

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“Psycho” by Jesse Wright from Jesse Wright Photo | @jessewright | Facebook
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{by Craig Lesley, Bad Chemicals}

I’m zoned out most of the time. The world rifles by and I shuffle and daydream and stare at my shoes and don’t notice much of anything as weeks speed past.

But every so often I catch a sliver, the words “Forgive Me” spray painted on an overpass, the color of my eyes reflected in a shop window, my wife Sally making peanut butter cookies with our kids in the kitchen.

A few nights ago, rooting around for something to read on my night stand, I unearthed a picture, under a pile of magazines and books, taken last autumn at the neonatal intensive care unit. The whole family is in the photograph—Sally, our four-year-old, our two-week-old, and me. I’m holding the infant, who’s wrinkled and weighs barely three pounds. It looks like we’re all smiling, even the baby somehow.

The picture sent my head back, to those grey days, to the fluorescent lights in the sterile hospital, to that tiny boy with the tubes and the wires and the sensors.

That was a tough time. Sally had lost all that blood and our baby was teetering and the leaves were falling and every day I had to walk past the nursery with the plump babies and their proud relatives staring through the glass. Most days, I wanted to growl at those happy gawkers at the nursery window. I wanted to punch their grinning mouths.

But looking at that picture the other night, I realized the anger and worry had dripped away and what remained of those grey days was longing. I visited the newborn every afternoon in the hospital, and I told him about his brother and the pets at home as he laid in the incubator. I mentioned that the nice lady who kept stopping by and touching his feet was his mother. “You’ll like her,” I assured him. “She’s the one who knows what’s going on.”

I found myself missing those quiet afternoons together and the mystery of that wrinkled baby who I needed so desperately to grow big like the newborns in the nursery.

I drove the four-year-old to preschool that fall, and we discussed big trucks and soccer and hard rock as we cruised in the station wagon.

“Dad, do monster trucks like Metallica?” he asked one cold morning.

“Son,” I explained. “Monster trucks adore Metallica.”

I found myself missing those talks, too, as I gazed at that picture.

Yesterday, almost 10 months after the baby crashed into the world 10 weeks early, he crawled for the first time, grunting and stretching out and inching across the playroom to gum a toy. I called Sally in, and as she watched him crawl, she cheered.

Then she looked at me. “And so it begins,” she muttered, almost ominously.

Monday, the four-year-old, who is now the five-year-old, started kindergarten. He lugged his oversized Superman backpack down the stairs and all the way to his class without any help. “I’ve got it, Dad,” he told me.

Tuesday, in the school parking lot, he asked, “Dad, can I not hold your hand? I’ll be very careful.”

Today, he walked to class by himself. I stood at the school entrance as he rolled his backpack down the hallway, shorter and thinner than the other children bobbing along. A few steps in, the boy turned around and waved. Then he continued straight and confidently away.

I wish I could do that. I wish I could just walk away like my kindergartener did. But that’s not me. That’s not how I’m put together.

These boys are growing up, and they need to. They need to crawl. They need to go to school. They need to travel to sunny cities. They need to fall hard for pretty girls.

And I need to let them walk down those hallways and drive away in those cars, but I know I can’t completely. Some part of me will linger there, puttering along in the station wagon with the bad heavy metal cranked up, watching the five-year-old weave his way to class, rocking the infant in the hospital on those grey days last fall.

And that part of me will know that sadness is also a gift.

{by Melinda Wentzel from Planet Mom}

(photo credit: wolfgangphoto)

When I was nine or ten, I remember well my enthrallment with my mother’s hands. They were delicate and slender, sweetly scented and rose petal-soft—so completely unlike my own nicked and scraped, callused and chafed boy-like hands that were better suited for wielding a hammer and throwing a fastball than anything else.

Mine were distinctively earthy, too, largely because remnants of dirt and grass simply refused to be removed. Or at least that was the sentiment I held for much of the summer. It was a byproduct of being a kid, I suppose, literally immersed in a world of sod and soil from sunup to sundown. Never mind my fondness of forests and rocky places, which typified a deep and abiding bond with nature—one that I’m not quite sure my mother ever completely understood.

At any rate, my hands told of who I was at the time—a tomboy given to tree climbing, stealing second base and collecting large and unwieldy rocks. Everyone’s hands, I’d daresay, depict them to a certain degree, having a story to tell and a role to play at every time and every place on the continuum of life. Traces of our journey remain there in the folds of our skin—from the flat of our palms and knobs of our knuckles to the very tips of our fingers. As it should be, I suppose.

For better or for worse, our hands are the tools with which we shape the world and to some extent they define us—as sons and daughters, providers and professionals, laborers and learners, movers and shakers. That said, I’m intrigued by people’s hands and the volumes they speak—whether they’re mottled with the tapestry of age, vibrant and fleshy or childlike and impossibly tender. Moreover, I find that which they whisper difficult to ignore.

{by Eddie Carroll from One Pixel at a Time}

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@MiddletonRare | Gnilleps on Flickr
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{by Jim of The Busy Dad Blog}

The crowd was evenly split, half of them waving dollar bills while mockingly encouraging their chosen gladiator, Jeff. The other half doing the same, but chanting “Greasy! Greasy! Greasy!”

Greasy Lee. I didn’t choose that name. It was bestowed by the 5th grade bully elite upon the chubby Asian kid who always happened to suffer bad hair days.

I glanced across the makeshift arena, which was nothing more than a clearing between two boulders and a tree stump in the woods behind the school. Jeff and I locked eyes. Not in aggression, but more in a desperate telepathic attempt to assure the other that we were doing this for our mutual survival.

I don’t remember the fight. But I do remember sitting in math class afterwards, unable to write anything on the worksheet in front of me because my hand was trembling uncontrollably. I also remember the dozens of perfect red dots on Jeff’s white polo shirt, which matched the missing skin on my middle knuckle.

There we were. The only two Asian kids in an otherwise white working class New England town, divided and conquered.

* * * *

When we first moved to the suburbs from the heart of Boston, it was every kid’s dream come true. A sprawling ranch-style house with a huge playroom, a circular driveway for unhindered bike riding, and an immense backyard. Which meant I could get a dog. Summer was everything it was supposed to be.

Fall meant starting a new school, but I wasn’t worried. I had switched schools a couple times before, and it always brought with it new friends. Also, this was the first time I was going to take a bus to school. Just like in the movies!

{Original post by Tarrant Riglio of Retro-Food}

Well you ask me
to sing you a love song
and I smile ‘n say
Hold on
Let me think
~Melissa Ferrick, Love Song

And then I sing you a love song in a foreign language-the language of food, of recipes.You know this blog is your love song. You can pick out the words and hear the tune. But, will you ever understand it? I think you do now.

You have learned the words and the tunes. You have watched my movements as I flip through cookbooks, plan meals and dance my messy way through the kitchen. Just in case…let me explain a bit more because as I thought about how to talk about this curious mixture of love and recipes…I learned more about myself, you, and those whose recipes I cook.

Joseph says I cook because I love. Is that his epiphany or mine? Both I think. I do. I cook to woo. I cook to nourish. I cook to teach. I cook to love. Meals can show off. Meals can feed people. Most of all, my meals are a hug, a kiss, a wink, a thank you, a caress, and the recipes the love songs that play in my cooking.

That is the draw of old cookbooks and recipe cards. Sure, the commercial ones with their funny pictures and fussy ideas on keeping a home amuse me. The ones that sing to me though come from Junior Leagues, churches, Women’s Auxiliaries, ones handwritten on a recipe card, ones with names attached. Those women share the love songs they sang to their families and their friends through their cooking. The ingredients may be foreign or impossible to find in these times. (celery Jell-o for example) The ingredients may just hide behind another name: oleo, xxxx sugar, #2 cans.

But listen to the tune…you know this love song. This is the dinner made for a mother with a newborn. This is the cake made to celebrate a son’s birthday…his favorite. These are the pork chops and potato pancakes counted on to bring a smile to her father-in-law’s face. These cookies sing holiday tunes with Mama in the kitchen with excited children. She tucks these memories away as she tucks the cookies in tins to give to her friends. Recipes sing the love song of a cocktail party or a brunch filled with laughter and friends.The recipe that makes a full meal out of stale bread, an egg and a few slices of cheese? This is a longing love song to feed a family with a bare pantry and days to go before a paycheck.

This recipe? The chocolate fudge pie? It sings a love song of a mother distracting a brokenhearted teen daughter when she learned that not all friendships are forever. Look at this one! It is the recipe for the aspic that great-grandmother made for Sunday dinner. She never said I love you out loud…but she always had a cake on the glass cake stand in the dining room for you. Maybe the Lemon Cheese Cake? The Caramel Cake? Or the beautiful, slightly wicked Devil’s Food cake. Love.

{by Jonniker}

She picked up the glass, twirling the crystal stem in her fingers, holding the paper-thin bowl up to the light. They were the perfect glasses–Baccarat, not Waterford, as everyone knew Waterford was too fussy. All those facets, she thought bitterly. I don’t want to drink out of the Chrysler building.

She remembered the day they picked them out–well, the day she did, anyway, whirling around Neiman’s with the glowing red gun. He resisted initially, insisting that they were too expensive.

“Babe, I don’t want my grandmother forking over $300 for a single water glass,” he said. “Can’t we get these instead?”

He’d pointed to a display of Lenox glasses. Goddamn LENOX. She rolled her eyes at the memory. As if I’d be caught dead entertaining with a $36 glass. She won him over by insisting that the glasses were an investment.

“An investment in a lifetime of memories,” she cooed.

Stupid. I’m so stupid.

She turned the Baccarat upside down again, watching the light bounce off the rounded stem. She put it back on the table and twisted her hands for a moment before letting them fall into her lap. They rustled in the folds of her tulle slip, and she realized with horror that she was still wearing her wedding dress.

Her hands smoothed the fabric as she glanced down at herself admiringly.