Nonfiction

testing, one-two

{by Sharone of zizzivivizz}

(photo credit)

The hum and whoosh of an industrial-strength air conditioner have accompanied every exam I can remember taking. They have laid their strains in an insistent ritornello with infinitely subtle variations, little waves and vagaries of sound that can only be detected in a room dedicated to silence, such as this one. Thirty-one heads bow over laminate desks that gleam dully under the unwavering fluorescence of the overhead lights. A deep breath and, with it, the eternal aroma of the classroom: the blue book, which smells, somehow, like other blue books and like nothing else, mingled with the dry, slightly acrid scent of a photocopied essay prompt.

I am sixteen, and the woman at the front of the room is from the University of California, administering a practice placement exam as part of the college preparatory program. At the back of the room sits Mrs. Juhasz, the steely, sharp-eyed Language Arts teacher known for demanding excellence. She is always willing to help me untangle the perplexities I find in the works of Dostoevsky, Dreiser, and the other companions of my extracurricular hours, and yet she has no doubt puzzled over the general indifference with which I greet her actual assignments. In spite of my stubborn determination to work through a daunting personal reading list, in class I am often undisciplined, uninterested, too self-assured and only occasionally earnest, usually preoccupied with boys and friends and the things I will do in two short hours when the final bell rings. But today the prospect of college, of the first plunge into the waiting world, glimmers before me. My stomach will not stop writhing. My fingers are cold, my ears hot. We are told to begin.



Clotting

{By Brittany Gibbons, The Barefoot Foodie}

Have you ever been driving somewhere, and, before you know it, you’re there and you have no idea how you got there?

I haven’t been present for a while.

My body was here, and every so often, familiar words would escape from my mouth, but for months, my mind was somewhere else, and my heart was off laying in a mud puddle somewhere while someone poked at it with sticks.

I’m a cutter.

Not that kind.

With my brand of cutting, there is no visible blood. All the scars are internal.

I was never going to say anything. I was just going to cut. Bleed. Heal.

But, I wasn’t really healing. I wasn’t clotting.

I was gushing. Heavily. And, it was blocking me.

Everything just squatting on my frontal lobe. Making my words not work.

(I have no idea what your frontal lobe does. I’m not a professional doctor.)



Stolen Treasure

{by Gailt Breen of These Little Waves}


photo credit: Sean Hubbard/@seanhubbard

I look at him through red rimmed eyes. He wipes my cheek dry with one thumb and asks, Are you happy?

Yes. No. Sometimes.

Yes, when I’m focused.

No, when I falter.

Sometimes.

We sit in the center of our bed like our three children often do. Our room is large but this space in it is small. Our toes touch. Our voices conspire.

He is loving mixed with worry. I am anxious laced with anger.

Anger because he dared scratch beneath the surface of what I want seen. I am faltering.

When I’m focused, I see a straight path to my treasure. The obstacles along the way are simply tasks to complete.

But inevitably, I falter. I falter. It is my own undoing every single time. I steal my own confidence. My own vision. My own focus.

I hide these treasures somewhere deep inside until they are no longer visible. And I replace them with ugliness. Fear. Insecurity. Jealousy.



The Presence of Greatness

{By Jeanne Damoff at The View From Here}

The first time I saw him he was walking on a treadmill. A blond starlet dressed like an old-west prostitute posed seductively in a country music video on the television screen suspended in front of him. But he wasn’t watching the video. He was looking around at whomever or whatever, not furtively, but with blatant curiosity.

When our eyes met, I understood.

Some might call the expression vacant. As the mother of a brain-injured son, I saw it more as open. Unmasked. He had dark eyes, and black hair curled around his ears, and I guessed he was probably somewhere between eighteen and twenty. A slender, silver-haired woman walked beside him. His mother.

The world has labels for people like him. Damaged. Deficient. Broken. Unproductive. More than anything I was struck with the stark contrast between his unaffected expression and the video starlet’s heavily painted facade, and I wondered with more than a hint of irony how many people in that gym would laugh at the notion that his contribution to society might be more valuable than hers.

The encounter touched a deep, knowing place inside me, but it was a seeing and moving along. I soon forgot.

That was several months ago, and I hadn’t encountered the pair again until last Friday, when I spotted them in an area off to the side used for free weights and upper body machines. There were plenty of other things going on. In addition to the general hustle and bustle of the gym, heart-breaking scenes from Japan filled a television screen nearby, and another a few feet away aired clips of a defiant Gadhafi, and on yet another some poor guy rushed through his busy day carrying around a beaker full of green liquid that I’m pretty sure represented the acid in his stomach, but my attention kept returning to mother and son. I didn’t mean to stare, but the more I watched them, the more everything else faded into the background. World events, whirring machines, even my own physical exertion. Soon I was completely enthralled with the interaction of the two.



Saying Goodbye

{By Megan of Undomestic Diva}

Today is one of those days – one of many recent and one of many more to come – where life’s new twists and turns have me walking out the door of several years of fond memories and unthought of heartache towards a future of Who Knows.

undomestic_diva_doorway

It isn’t a fancy place, this house. And while smaller than many, it was enough; certainly more than many others hope for and at the end of the day it wasn’t just stucco and wood and cement and shingles – it was our home.

This is the house that broke us, in many ways, though of course it’s not only to blame – not one single thing is. But it was also the house of much happiness – where two of the three boys were born, where many Halloweens and birthdays and summers were spent, where Easter eggs were hidden and found, where dinners were concocted and birthday cakes created, where oranges were picked and eaten in the yard, where swingsets were built and ignored, where gardens were planted and bloomed, where Christmas trees sat (and fell), where life moved at a speed quicker than we could register – all inside these walls that were being fixed and patched and painted as we fell apart.

I slowly circle one more time in the living room. It still feels oddly full, even in its bareness. Though the smell of cardboard boxes and laundered clothes and nostalgia has left in trucks and U-Hauls, a vaguely familiar scent remains – the way the house smelled the day we got the keys – of vacancy and emptiness. It sinks in. The truth is, this house didn’t break us. We did. And this house isn’t haunted. We are.

It’s hard to fathom that I’m taking one last look around our house and leaving it to go to my house. The newness of everything is jarring and yet exciting and the adventure of it all has its moments of hope and its share of fear.

I shut the door. I pause on the porch step, taking in this very moment, soaking in this change like sunlight on my skin, breath in my lungs. There’s nothing left here for me anymore. Today is another reminder of moving onward, this time, literally. I remind myself: A house is a house but a home is what you make it so I have not just packed our clothes and photographs and books and toys but our memories too. They, though the heaviest of all the things to carry, are the easiest to move.



Can you see me now?

{by Ms. Picket To You of Post Picket Fence}

(photo source)

Kids at a pool: it’s the epitome of fantastic wretchedness.

They swim and dunk and dive and flop unattended and fully entertained and working up to an excellent exhaustion. The sunscreen melts off the minute it’s applied, but their bodies are submerged, so: only shoulders get burnt, maybe noses. They paddle and flop and hunt quarters at depths taller than they are. They coordinate games named “Baby Dolphins.” They get drenched and pickled and giddy all at once.

But the goggles are too tight or too loose or worse than her brother’s. The towel is too soggy but worthy of a battle, a whippingatyou, smackingatyou battle. The sister’s belly flop is half-assed and “mine will be better and hurt more than hers” and WATCH ME WATCH ME WATCH ME will echo across the chlorine, over the deck chairs, past my magazine, and straight into my face. Straight into my face over and over and over: WATCH MEEEEEEE!



It Depends on When He Sees Me for the First Time

{By Alexia from Say Another Lexi}

(photo credit)

If he sees me when I am with people, he will think my cheeks must hurt from smiling so much. He will wonder if my fingertips are worn down from touching people all the time. He will see how my eyes are really magnets, gravitating towards anything that glitters. He will know that ever time I throw my head back to laugh, I am really swallowing a falling star. He will see all the different shapes my mouth makes, because it moves even when I am listening. He will see the way I hold my hands on my lips when I think before I speak, as if words will escape without permission. He will see my thoughts splash across my face, emotions striking my face like lightning, one after another. He will see that I can never hide behind my expressions, and he will understand that my readability is a sign of sincerity. He will know that those thoughts are just drops, and that inside me there’s an ocean. He will want to swim in that ocean.

If he sees me when I am alone, drawing hearts falling from trees like leaves, he will think of me as a girl from a sad song. He will wonder why the frown in the middle of my forehead is so deep. He will wonder who hurt me and gave me such hollow autumn eyes. He will think someone broke my heart and he will be jealous of that boy for getting so close. He will wonder what I look like when I smile. He will think of my notebooks as keys, and know that they are filled with words falling from a fountain that goes on forever. He will wish his heart was a musical box that played my favourite song. He will follow my gaze and wonder if I’m really looking at the horizon or something else that he himself cannot see. He will be discreet but he will want me to see him seeing me. He will smile when I scowl and go back to scribbling. He will know that, one day, we will laugh about this. He will want to see my hair spread across his pillow like an auburn pien-mien, lying with his head between my breasts, sharing secrets we swear we’ve never told anybody else. He will want to be the one to light up my eyes, and the one to catch the glint of tears before they fall. He will see the effort it takes sometimes just to stand up straight and he will know what that feels like, but he will stand up straight, even straighter, sometimes, just to teach me how.



the wide white empty

{By Jessica at One Wild and Precious Life}

Today the earth is pressed against this wide white emptiness and there is still this gap in me, this hesitation.

I’ve been thinking about painting.


I remember in college making the best art when given many rules.
The still life was constructed. The lighting already determined.
Stand here. Paint that.
And so I did.

My fear was the blank canvas and nothing to paint.



Morning rituals

{by Carmi Levy}

~ London, ON, October 2010

To some, it’s just a mug of coffee. To me, it’s coffee that my wife made. Which makes it uniquely special, because to me, at least, it’s far more than percolated beans with a bit of milk and sugar.

It’s a little thing that connects us, a moment between sleep-time and our pedal-to-the-metal day that reminds us why our family matters as much as it does. Because before we had kids, before we needed to shuttle them around town, before we tended to their every need before we tended to our own, we sat together over mugs of coffee or tea at our quiet kitchen table.



Answer

{by Jennifer Schmitt from A Road With a View and originally featured here on September 17, 2009}

I was in the middle of nowhere, but I felt as though I had arrived at someplace important and pivotal. A place that should show on some map of my life with the words Go here.

Heavy and golden, the moonlight sank to earth on a parachute of stars and brought everything around me out of the shadows – the hulking shapes of mountains, open space, a black ribbon of road. Far away, the light of one house.

I stood in the middle of a road in northwestern Montana, shivering with the wind that ran through me like a hundred ghosts. I had stopped to get out, to look. No other car would pass by while I stood there. The night was big. The world was big. How many times had the wind that filled my lungs traveled along the curve of the earth? I breathed in, sure it told me secrets of what my life could be, how big it could be, now that it was all mine again.

Back home in Connecticut, my job waited for me and my husband did not. Our separation was new, no older than a month. With less fuss than it took to plan our wedding, we decided to break apart the marriage, each of us taking uneven halves of the whole, pieces that had never quite fit together and always left a space between two people who tried.

I settled into a new place and then took every vacation day and every bit of cash I could, and I drove – this time, from Connecticut to the western side of Montana, 5000 miles in 12 days. It was the middle of September – now, almost to the date. This time every year, I give myself over to nostalgia for that trip and for the person I was then. Brave. Unafraid to go as far as that, alone, to see something beautiful, to be changed.

And despite the disappointment of a marriage that ended, I still thought I could see ahead and predict the future, or shape it.

The joke was on me, of course. On her, on the person I was that night, eight months before I would learn that I was pregnant with my first child. Whatever I thought was brave or scary before hitched a ride to somewhere far away.

But she learned. You want scary? I told her. Having a baby is scary. Cobbling together a life with another person, with a new life between you, takes guts. Believing that it will all work out? Harder still.

At times, it’s hard for me to look at the photos from that trip. In them, I see how formed she thinks she is, how much she cushions the ache of her want, how tender she is with her hopes. How she still believes that there are answers to be found in a kiss, or on the curve of the moon.

I want to tell her what’s coming, and that she will get through it. That what is scary just might save her. That having children, though she didn’t plan it, will root her to her place in the world, no matter where or how far she goes. That she won’t want to go alone, always, and that she won’t lose herself completely, even when she is sure that she has. That one, I would tell her over and over and over. Or, I will. I do.